Sphere Packing
Subsculpture 15
"Sphere Packing" (Subsculpture 15) is a series of 3D-printed pieces designed to concentrate the entire musical production of a composer in a single dense multi-channel device. The size of each sphere is directly proportional to how prolific the composer was; for example the sphere for Hildegaard Von Bingen has an 11 cm diameter and 69 loudspeakers. The project presents at a glance the comparative production volume of many composers. As people are a couple of metres away from a sphere, they hear a quiet murmur of sounds, but as they approach and put their ears up close to individual speakers, they can hone in on specific compositions. The series is inspired by American composer Charles Ives' practice of simultaneity as a compositional tool.
Technically, a set of custom-made circuit boards allow the simultaneous playback of thousands of separate sound channels. The spheres are modeled algorithmically and then 3D printed in different materials depending on the composer. Each piece is suspended from a small playback box which is hung from the ceiling of the exhibition space. The piece begins playback immediately upon powering the box with 110 or 220V power. A small remote control allows the curator or collector to set an appropriate volume for the piece, although the piece is very quiet by its very design, even at its maximum volume a sphere produces a din that can be heard from about a 3 m radius. To discern individual compositions the public must be right beside a sphere, 5 cm away.
The recordings used are either in the public domain or legally purchased for the piece. Mitigating copyright concerns is that the volume of each track is extremely quiet and that a track can only be heard in the context of the other music being played-back.
Technically, a set of custom-made circuit boards allow the simultaneous playback of thousands of separate sound channels. The spheres are modeled algorithmically and then 3D printed in different materials depending on the composer. Each piece is suspended from a small playback box which is hung from the ceiling of the exhibition space. The piece begins playback immediately upon powering the box with 110 or 220V power. A small remote control allows the curator or collector to set an appropriate volume for the piece, although the piece is very quiet by its very design, even at its maximum volume a sphere produces a din that can be heard from about a 3 m radius. To discern individual compositions the public must be right beside a sphere, 5 cm away.
The recordings used are either in the public domain or legally purchased for the piece. Mitigating copyright concerns is that the volume of each track is extremely quiet and that a track can only be heard in the context of the other music being played-back.
General info
Spanish name:
Empaquetamiento de Esferas
Year of creation:
2013
Conlon Nancarrow
Technique:
3D print sphere, 79 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
TBC
Edition:
3 Editions, 1 AP
George Frideric Handel
Technique:
3D print sphere, 612 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
225W on 110 OR 220V
Dimensions:
TBC
Edition:
3 Editions, 1 AP
Igor Stravinsky
Technique:
3D print sphere, 129 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
TBC
Edition:
3 Editions, 1 AP
Krzysztof Penderecki
Technique:
3D print sphere, 151 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
TBC
Edition:
3 Editions, 1 AP
Ludwig van Beethoven
John Cage
Technique:
White Plastic Formiga 3D print (dyed with dark blue tint), 269 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
150W on 110 OR 220V
Dimensions:
The sphere has a 23.6 cm diameter.
Edition:
3 Editions, 1 AP
Collectors:
private collector
Henryk Mikołaj Górecki
Technique:
Transparent polymer 3D print (dyed with dark red tint), 105 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
The sphere has a 12.4 cm diameter.
Weight:
3 Kg
Edition:
3 Editions, 1 AP
Charles Ives
György Ligeti
Technique:
Frosted polymer 3D print (dyed with dark orange tint), 87 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
The sphere has a 11.2 cm diameter.
Weight:
2.5 Kg
Edition:
3 Editions, 1 AP
Gustav Mahler
Claudio Monteverdi
Wolfgang Amadeus Mozart
Technique:
White polymer 3D print, 565 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
150W on 110 OR 220V
Dimensions:
The sphere has a 35 cm diameter.
Weight:
5 Kg
Edition:
3 Editions, 1 AP
Collectors:
private collectors
Luigi Nono
Franz Schubert
Karlheinz Stockhausen
Hildegard von Bingen
Technique:
Bronzed steel 3D print, 69 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
The sphere has a 10.8 cm diameter.
Weight:
3 Kg
Edition:
3 Editions, 1 AP
Collectors:
private collector
Richard Wagner
Technique:
Glazed porcelain 3D print, 113 channels of sound, custom-made electronics, stainless steel, IR remote control
Power:
75W on 110 OR 220V
Dimensions:
The sphere has a 13 cm diameter.
Weight:
3 Kg
Edition:
3 Editions, 1 AP
Collectors:
private collector
Constellation of 5 composers
Constellation of 17 composers
Power:
variable
Weight:
2.5 Kg
Additional info:
Consists of: Ludwig van Beethoven, John Cage, Henryk Mikołaj Górecki, George Frideric Handel, Charles Ives, György Ligeti, Gustav Mahler, Claudio Monteverdi, Wolfgang A. Mozart, Conlon Nancarrow, Luigi Nono, Krzysztof Penderecki, Franz Schubert, Karlheinz Stockhausen, Igor Stravinsky, Hildegard von Bingen, Richard Wagner
Edition:
1 Edition, 1 AP
Exhibitions
- Obra Sonora, Artis - Naples, The Baker Museum, Naples, Florida, United States, 2024 - 2025.
- Rafael Lozano-Hemmer: Recent Works, Arsenal Art Contemporain, Montréal, Québec, Canada, 2020 - 2021.
- Rafael Lozano-Hemmer: Presencia Inestable, Museo de Arte Contemporáneo de Monterrey, Monterrey, México, 2019 - 2020.
- Rafael Lozano-Hemmer: Présence instable, Musée d'Art Contemporain de Montréal, Montréal, Québec, Canada, 2018.
- Soundtracks, San Francisco Museum of Modern Art, San Francisco, California, United States, 2017 - 2018.
- Rafael Lozano-Hemmer: Transition States, Gund Gallery, Gambier, Ohio, United States, 2016 - 2017.
- Rafael Lozano-Hemmer: Pseudomatismos, Museo Universitario Arte Contemporaneo, Mexico City, México, 2015 - 2016.
- Rafael Lozano-Hemmer: Polynomials, Art Bärtschi & Cie, Genève, Switzerland, 2015.
- Untitled Art Fair, Galería Max Estrella, Miami, Florida, United States, 2014.
- Rafael Lozano-Hemmer: Obra Sonora, Carroll / Fletcher Gallery, London, United Kingdom, 2014.
- Art Basel 45, Galería OMR, Basel, Switzerland, 2014.
- Art Dubai ‘14, Carroll / Fletcher Gallery, Dubai, United Arab Emirates, 2014.
- ARCO '14, Galería Max Estrella, Carroll / Fletcher Gallery, Madrid, Spain, 2014.
- Everybody is Nobody for Somebody from the Kulczyk Collection, Fundación Banco Santander, Grażyna Kulczyk Collection, Madrid, Spain, 2014.
Credits
- Programming: Jordan Parsons
- Hardware: Jordan Parsons
- Production Assistance: Stephan Schulz, Claudia Espinosa, Orion Szydel, Julie Bourgeois, Karine Charbonneau, Pierre Fournier, Carolina Murillo-Morales, Sergio Clavijo
Bibliography
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